On Fear and Failure

No one talks about the fear of failure. Everyone online is winning, crafting their aesthetic, a ball of success, laughing at bitches as they shine in their villain era. OR, they’re soft, it’s velvet couches, luxury loungewear and freshly ground coffee slowly poured in a Chemex. OR, it’s grind culture. Hustle harder boo. You have the same 24 hours as Beyonce. While ya’ll sleeping your favs are up at 5am posting #gymlife selfies and broadcasting lives about catching flights not COVID. TikTok and IG provide the scaffolding for my toxic voyeurism. Everytime I scroll, every new post or video is like a leather lash braided into my psychic whip. The intensity of my self-flagellation increases with every 30-second clip of a random stranger, someone decidedly aspirational with an opaque source of income living their absolute best life. I fucking haaaaate myself. I’m not aesthetic, my Peloton is a casual acquaintance at best and unlike every thinker/writer/scholar I follow on Twitter, I haven’t written anything in many moons. 

See, I’m ace at conjuring vivid and explicitly detailed scenes of my impending failure. And because I’m absolutely fucking certain that I’ll fail, because I’ve spent so many years living in that certainty, I’ve become frozen. Stuck in a cryotank of excuses. Well Zeba and Nikole have already written about that. You’re closer to 40 than 25 girl, the moment has passed. You have no audience because you don’t “get” personal branding. And for that matter, wtf does branding have to do with writing anyway? Writing doesn’t pay and the rent in Cali has you in a chokehold. But none of that matters because it’s already been written about, or currently being written about, by bitches that are smarter, quicker, more connected, bolder, than me. 

So I sit and I agonize and I mourn and I dream. Dream of actually trying to walk into the brilliance of my purpose before life inevitably snuffs me out. Mourn the wasted years when I could’ve been writing instead of burrowing into my depression. Agonize on whether I should just…..try it. In her Masters Class episode Maya Angelou said something that has stuck with me. “So try to live your life in a way that you will not regret years of useless virtue and inertia and timidity. Take up the battle. Take it up. It’s yours. This is your life. This is your world.” I burst into tears when I heard that. Her brown eyes seemed to be staring straight into mine as she spoke. Maya was talking to me. No one else. Her ability to excavate my soul and unearth the source of my affliction almost made me believe there is a god. 

So here I am. Writing this. A meditation on the price of fear. On paper I’m ok. I report to a 9-5 and get my share of raises, promotions and recognition. I’m a parent. I’m a spouse. I have a nice car. I live near the beach. I have lots of things and I want for nothing. For a girl born in crack-era Watts it’s a small miracle I’ve made it this far. But it’s all trash. It’s basura. I wake up, I wife, I mom, I work, I Netflix, I TikTok, I sleep. Capitalist America says lock into this cycle for another 30 years (or more) and then go quietly into that good night. 

The cost of this life has been utterly staggering. I float through days of middle-class respectability like a haint, just substantial enough to be felt, but not fully formed. Many people struggle with the “what is my purpose” question. Not me. Rather, I exist with the existential cancer of knowing exactly what will satisfy my soul, and yet letting decades slip by as I allow myself to be continuously dragged by fear. I’m exhausted by it all. I want to be blood, sinew, bone, hormones. A fully fleshed creature. And I can’t be fully fleshed unless I reject the conditioning that has me believing I ain’t shit. That I’m doomed to fail. That it’s already been done with a level of excellence I could never achieve. Fuck that noise. I’m taking what’s mine.

Black Stars in a White Galaxy: Philly Starbucks

Starbucks Arrest
Rashon Nelson and Donte Robinson

 

A Philadelphia Starbucks became a flashpoint for white racial hostility last month when two black men were arrested for allegedly trespassing. The men, Rashon Nelson and Donte Robinson, real estate investors in their 20s, were waiting for a business associate when a Starbucks manager called local police and accused them of trespassing. The manager’s complaint hinged on the fact that the men were occupying the space without purchasing one of the various sugar-laden drinks on offer. Video footage shows the men being arrested without incident as white patrons—including their associate, look on and protest that the men are innocent.

After being held for several hours the men were released without charge and received a personal apology from Starbucks CEO Kevin Johnson. The viral video of their arrest sparked protests at the location and panic at Starbucks HQ. In a shallow PR move, the coffee chain has announced plans to shutter roughly 8 thousand stores on May 29thto provide “Unconscious Bias training” to employees.

Philadelphia is roughly 43% black. However, Rittenhouse Square, the tony neighborhood where the incident occurred is blindingly white. It’s safe to assume that such a level of segregation serves as a velvet socioeconomic rope. Gently buffering those that don’t qualify for the leisure class. These white Philadelphians are free to move about their community without often experiencing the abrupt atmospheric shift wrought by the presence of a black body. What Starbucks, and thousands of untold encounters illustrate is that when we step into a space, we are not anonymous citizens. We are a curiosity, an energy, a dread.

I can almost imagine the increased heart rate and sharpened vision of the white manager as her mind raced through the reasons, all of them criminal, to explain why two young black men would deign to take Starbucks up on its offer to be neutral third-place. The comfort and relative safety of bland anonymity is rarely afforded black Americans. Our existence must be immediately justified in order to preempt the white fear that can quite literally lead to our deaths. One of the most insidious effects of white supremacy is the feeling that we must continuously carry a compelling affirmation of our humanity like a yellowed business card in our back pocket—worn from use. Our humanity and right to simply exist in this world is not a foregone conclusion. Black lives are always up for debate, and control, and oftentimes extermination.

Exactly 2 minutes after Mr. Nelson and Mr. Robinson dared to take up space in a Philly Starbucks, the police were on the scene to arrest them, remove them, and return the shop to a scene of upper class, placid repose.

2 Minutes

Such an insignificant amount of time. Yet that was all it took for a racist’s hysteria to force a collision between two innocent black men and the criminal justice system.

A common thread of black life is being the target of harassment and violence at the hands of sociopathic officers dispatched by white people donning the carcinogenic mask of concerned citizens. Local police function as an extension of white supremacist domination. Officers are summoned to attenuate the fear of unbound black bodies in public spaces. The most mundane tableaus of daily life are contorted into scenes of chaos and violence when white Americans are free to make unilateral, wholly arbitrary decisions about what constitutes criminal behavior. That level of control over a stranger’s life must be intoxicating.

 

So it was that a petty, bigoted Starbucks manager called in the cavalry to erase the stain of black energy from her climate controlled petty kingdom.

 

 

HOLY NICKI, MOTHER OF SEX

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Paper Magazine has broken the Internet yet again with Nicki Minaj as its cover star in a bold display of self-love and sexual liberation. Three Nickis—Harajuku Barbie, Nicki the Ninja, and Nicki the Boss—are captured in the nascent stages of a ménage a trois against a saccharine rose backdrop.

 

The cover is a paean to black self-love and a rejection of the politics of phallocentric sex. It’s of Nicki, by Nicki, and for Nicki. But, it’s also for women. Paper’s concept of a triumvirate of bad bitches reminds readers that Nicki, like all women, contains multitudes. The abiding ideal of a corporatized, interview-ready pop star with only 2 inches of depth feels stale in this cultural moment. Social media has democratized pop culture. The grass roots’ ability to influence, and oftentimes dictate culture, has forced many in the establishment media to reject the obvious.

 

Nicki, a multifaceted artist that continuously subverts gender norms—you can hear the testosterone oozing through her pores when she raps as Roman—is anything but basic. From referring to her female would-be usurpers as her sons, to donning the accouterments of a king, Nicki has thrown a gauntlet. The cover is a tactile extension of her music. From the outset, she rejected the well-trod path of many women in hip-hop. She refuses to play the role of anonymous sexual prop for male rappers. She is subject, not object.

 

Thus, Paper’s art direction is fresh in this age of women gathering in digital spaces to reclaim the cunt from the suffocating male gaze. The selection of Ellen von Unwerth to photograph the spread further promotes the ascendancy of pussy dominated media spaces. For decades von Unwerth has used her photography to fête female eroticism. First, through fashion photography, then music videos, and now through the ubiquitous squares of Instagram. Nicki and von Unwerth are a powerhouse collab. Nevertheless, criticism has bubbled up from certain corners of the industry.

 

Rapper turned talk show host Eve was among the first to throw shade at the cover. She couched her criticism in bland mentions of the responsibilities of a female role model. Her concerns were stale and smacked of hypocrisy. At the apex of her rap career, Eve pimped her sexuality to sell Ruff Rider albums. The overarching implication is that a woman should preserve her sexuality for a man. Her body and desires should be cossetted and denied until a worthy guy comes along to instruct her in unpacking who she is as a sexual creature.

 

It’s a patriarchal throwback that rejects the legitimacy of female sexual agency. Providing young girls and women empowering content that can enrich their sexual imagination is a public service that Paper has deftly provided.

 

The cover also stands apart for offering an unapologetic celebration of the black female body. The black body in the American imagination has always been at once hypnotic and transgressive. Since our nation’s bloody inception, the black woman’s body has been publicly derided as hypersexual, and thus sinful and unfit for public consumption. Full lips, ample asses and round hips were the hallmarks of a Jezebel.

 

Subjectivity, and thus sexuality, was long denied women of color. With the exception of the Black is Beautiful movement of the 60’s and the current #BlackGirlMagic narrative, the American public has been conditioned to reject the notion that blacks have any aesthetic value. Paper’s cover subverts that narrative and forces the reader to acknowledge, and stand in awe of black beauty.

 

 

The Alt-Right Starter Pack

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Photo/Los Angeles Times

 

The racist, white nationalist alt-right fringe movement has been thrust into the spotlight in the aftermath of Donald Trump’s inflammatory campaign and tainted win. A loose umbrella term that captures 4Chan trolls, academics, militia-types, neo-Nazis, and just general racists, alt-right was definitely the buzz term of the 2016 election. In an effort to understand the movement, I’ve been doing some preliminary research and have compiled an introductory list of fundamental alt-right reads.

 

  1. Party Like it’s 1933-The Washington Post

“For us, as Europeans, it is only normal again when we are great again!” he shouted. “Hail Trump! Hail our people! Hail victory!”

  1. Meet The White Nationalist Trying to Ride The Trump Train to Lasting Power-Mother Jones Magazine

 Spencer believes that Hispanics and African Americans have lower average IQs than whites and are more genetically predisposed to commit crimes, ideas that are not accepted by the vast majority of scientists.

  1. An Alt-Right Makeover Shrouds The Swastikas-The New York Times

“The political establishment has made an entire generation of young white men and women into fascists, and that’s a beautiful thing!”

  1. What The Founders *Really* Thought About Race-Radix Journal

Lincoln opposed the expansion of slavery outside the South, but was not an abolitionist. He made war on the Confederacy only to preserve the Union, and would have accepted Southern slavery in perpetuity if that would have kept the South from seceding, as he stated explicitly.

  1. An Establishment Conservative’s Guide To The Alt-Right –Breitbart

The amount of column inches generated by the alt-right is a testament to their cultural punch. But so far, no one has really been able to explain the movement’s appeal and reach without desperate caveats and virtue-signaling to readers.

 

Speaking “Alt-Right”: Terms used in the movement

 

  • Red Pill: General term concerning the dissemination of “truth” about the crisis of white masculinity and dominance in American life. Essentially, women, minorities, and Jews are targeted as attempting to weaken or subvert the natural dominance of white men in America. Getting “red pilled” means to be exposed to this theory.

 

  • Lugenpresse: German for “lying press”. A Nazi-era throwback term for the mainstream media. Now used by extreme right groups in both Europe and America.

 

  • PePe the Frog: Bizarre internet meme of an anthropomorphic frog often seen in alt-right forums and Twitter accounts. Now considered a hate-symbol by the Anti-Defamation League

 

  • Ethno-State: Future vision held by many white nationalists of a country totally dominated by whites, and void of racial minorities and other ethnic groups.

 

  • Fashy: Short for fascist. Refers to a haircut worn originally by the Hitler Youth, and more recently appropriated by alt-right figureheads such as Richard Spencer.

 

  • Cuck: Short for “cuckservative”, a pejorative used to describe conservatives who are not sufficiently committed to alt-right views.

 

 

We Are All Donald Trump

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Donald Trump is the manifestation of our most ginned up nightmares. His relentless march to the fore of the post-Tea Party GOP should’ve been entirely predictable to anyone paying attention during the age of Obama. White Americans that have been losing economic (although the certainly not social) power through the inexorable destruction of the middle class have formed an increasingly paranoid contingent of voters fueled by anxiety and racism.

Trump’s blinding ginger halo of celebrity, combined with his slimy assertions of his penis size, and grade school attacks on women, has lowered the level of political discourse to that of a rundown Applebee’s bar in Nowhere, Idaho. Nakedly racist commitments to build a wall on the border and ban all Muslims serve to bolster the grievances of a population betrayed by the capitalist system it voted for. A shrinking population that is also entering its demographic sunset. The Bud Light crowd cheers Trump for giving a loud voice to their deepest fears and desires. As factories, mills, and coal mines shutter, legions of men and women have become displaced vagabonds in their own land.

Things just don’t make sense anymore. There’s a black president, Mexicans beset them on all sides, and the Islamists are determined to see them dead. Any way you slice it, good ol’ America has lost her way. But Trump is gonna put her back on course.  He’s a billionaire, after all. Just the type of man needed in the White House.